Jean Epstein’s short documentary filmed on the Breton island of Sein, which film preservationist and cinephile Henri Langlois called “one of the most beautiful documentaries in the history of French film, a true poem about Brittany and the sea."

Dulac’s three 1929 "abstract" films, Record 957, Αrabesques, and Themes and Variations, were the results of a long period of reflection by the filmmaker, who sought to create a "pure" or "integral" cinema that would capture the essence of the new medium and owe nothing to the other arts. Each of these three studies was designed to be played silent. The first one, Record 957, is conceived of as a "...

Jean Epstein’s short documentary filmed on the Breton island of Sein, which film preservationist and cinephile Henri Langlois called “one of the most beautiful documentaries in the history of French film, a true poem about Brittany and the sea."

Dulac’s three 1929 "abstract" films, Record 957, Αrabesques, and Themes and Variations, were the results of a long period of reflection by the filmmaker, who sought to create a "pure" or "integral" cinema that would capture the essence of the new medium and owe nothing to the other arts. Each of these three studies was designed to be played silent. The first one, Record 957, is conceived of as a "...