The burglar Karl Kilian Ledig tries to get his somewhat reluctant son Carl Gustaf interested in his "profession". He bring him along one evening to the sculpture Ulla-Carin von Knaake's house to break in and steal from her safe. Complications arise when Ulla-Carin and some of her friends unexpectedly come home and she imagines that Carl Gustaf is a model she has hired from a model agency.

The rootless, misfit artist Bengt Hallberg escapes from a mental hospital. The head doctor believes him to be a hopeless case and dangerous for the environment. Bengt looks up Inga Larsson, the only person that matters to him.

Selma and her friend Agatha are watching a movie on TV. Agatha starts to talk about older men and their dangerous age, but Selma can't image that her husband Fridolf is among those.

Fridolf and his wife Selma gets a telegram from their daughter Maggan. She is engaged and are her way home to show her little baby.

it's the 1840s and a rural parish plagued by drinking and fighting gets a new vicar who has decided to instill law, order and fear of God into the parishioners.

Director Torgny Anderberg goes back to visit the island of Raroia in French Polynesia, where thirty years earlier he made a film.

Fridolf and his wife Selma gets a telegram from their daughter Maggan. She is engaged and are her way home to show her little baby.