An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation.

A postman endeavors to fly to the moon in one breath so he can deliver a package.

Based on an Estonian folk tale about of the gigantic hero, Tõll, who lived on the island of Saaremaa (Oesel) in the Baltic Sea. Though he was king of the island, Tõll often worked as a common farmer, tending to his crops and returning to his loving wife. He was a good king, often quick to anger but always kind and willing to help his fellow man. Tõll's greatest enemy is the god of the underworld ...

The second part of the film based on Eno Raua's children's book of the same name, which tells about the activities of three jolly fellows - Sammalhabe, Kingpool and Muhvi. The movie viewer can join their exciting adventures in saving the city from the rats.

Heik Ernitsa's directorial debut "Encounter" is a humorous story about dreams and reality. "Street" by Valter Uusberg paints a nervous and gloomy picture of the artificial environment of the city. Mati Küti's satirical "Monument" dissects egocentrism in a grotesque tone.

Two young ladybirds Tim and Mia are unexpectedly taken into a human family’s house together with a Christmas tree on Christmas Eve. Tim and Mia set about seeking the way back to the forest.

Based on an Estonian folk tale about of the gigantic hero, Tõll, who lived on the island of Saaremaa (Oesel) in the Baltic Sea. Though he was king of the island, Tõll often worked as a common farmer, tending to his crops and returning to his loving wife. He was a good king, often quick to anger but always kind and willing to help his fellow man. Tõll's greatest enemy is the god of the underworld ...

An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation.

Rein Raamat’s Hell adapts the engravings of Estonian graphic artist Eduard Wiiralt into a surreal, grotesque, and heavily sexual animated short. Wiiralt’s three source works, “The Preacher,” “Cabaret,” and “Hell,” date back to the early 1930s and portray a cacophony of bacchanalia, hysteria, and violence in the final years of Estonian independence amid the unrest of the Great Depression and Europe...