The film is based on A. P. Chekhov’s play “Tatiana Repina” and short story “Difficult People”. At his wedding, the groom is horrified to see among the church crowd his former mistress who had recently committed suicide.

This celebrated director's "exquisite cruelty" appears front and center when the death of a stage actor turns a theatrical drama into a real one. Two in One's two parts, "Stagehands" and "Woman of a Lifetime," celebrate the psychological richness that lurks just beneath the surface of banal reality - if murderous stagehands, lascivious fathers and vengeful daughters can be described as banal.

A man is notified of his father's imminent death. He travels to his father in a remote Ukrainian village, recalling his childhood during the disastrous forced collectivization and artificial famine (Holodomor) of the 1930s by the Soviet regime. The film was heavily cut due to censorship by the Soviet Government.

The film is dedicated to the 10th anniversary of the accident at the Chornobyl NPP.

A young piano tuner befriends two rich old-ladies, and plots, with the help of his girlfriend, to betray their trust and steal from them.

Juliane, a police commissioner in Paris, is a woman with great moral integrity. But when she discovers her husband’s double life, she starts committing acts she never would have thought herself capable of.

A three-chapter (Hell, Purgatory and Paradise) meditation on the city of Sarajevo in the wake of the Bosnian war, on Palestine and Israel, and on war itself.

A young piano tuner befriends two rich old-ladies, and plots, with the help of his girlfriend, to betray their trust and steal from them.

Juliane, a police commissioner in Paris, is a woman with great moral integrity. But when she discovers her husband’s double life, she starts committing acts she never would have thought herself capable of.

On a rough and tumble construction site for a new factory, the conversation flows and love blooms for trio Lyuba, Misha, and Kolya. In the liminal space of their workplace, they build material and intangible connections.

The film is based on A. P. Chekhov’s play “Tatiana Repina” and short story “Difficult People”. At his wedding, the groom is horrified to see among the church crowd his former mistress who had recently committed suicide.

This celebrated director's "exquisite cruelty" appears front and center when the death of a stage actor turns a theatrical drama into a real one. Two in One's two parts, "Stagehands" and "Woman of a Lifetime," celebrate the psychological richness that lurks just beneath the surface of banal reality - if murderous stagehands, lascivious fathers and vengeful daughters can be described as banal.