After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.

The sole dream of Ramu, eldest son a family of migrants, and Uma to build a happy life together is burdened by a pile of obstacles on their way due to economic upheaval in post-partition Calcutta.

The scion of a wealthy landowner family turns to alcohol and self-pity and slowly self-destructs after class differences force him to break off his relationship with his childhood sweetheart.

Raj Badhu is a comical family drama that is based on a traditional Bengali joint-family life. It tells the story of family relations, of love and family values and the importance of society in our lives. It shows the complex story of different love relations and how its complications adversely affect the people involved. It shows the nature of man and how all things work out for the best in the en...

Indian film starring Dipankar Dey, Soma Dey and Anil Chatterjee

The sole dream of Ramu, eldest son a family of migrants, and Uma to build a happy life together is burdened by a pile of obstacles on their way due to economic upheaval in post-partition Calcutta.

Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye.

After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.

Four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist. This is considered to be Ghatak's autobiographical film.

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.

A wandering baba initiates a widower layer and his youngest daughter, irritating her boyfriend Satya and the ever-skeptical Nibaran.