The Tsuru family is a family of nine, headed by Kamejiro. Kamejiro is the president of a construction company that has made a fortune in its first generation, but he is a one-man family. His wife, Aiko, is a typical good wife and wise mother type. Kamejiro gets angry and thunders down every week, and the children are afraid of him, calling him "Oyaji Daiko", but he also takes advantage of this.

The drama is about the suffering of two families whose babies were mistaken for each other in the hospital.

A light-hearted comedy about love, fortune telling and songs of life that begins when a couple of sisters and brothers meet. It depicts a group of coming-of-age men and women earnestly seeking for love.

The story revolves around a bar and a poor church in downtown Yokohama , a port town . Kazami Yobuko is a singer and hostess at the bar . The bar originally belonged to Yobuko's mother, Ranko, but Ranko committed an assault and is serving time in prison, and the bar now belongs to Tsukiyo. This is the story of the twists and turns of the love story between Yobuko and a poor pastor , Shioya Isaku. ...

Yoshida’s first big-budget production and colour film is a haunting tale of unrequited love and postwar disillusion. The story of the fatal attraction between a spineless intellectual and a strong woman is conventional, but its enactment is radically new.

Shows the devastation caused by the atomic bomb, and by use of a fictional storyline, portrays the struggle of the ordinary Japanese people in dealing with the aftermath.

In the thriving Tokyo neighborhood of Ginza, a woman in the process of selling her estranged husband’s art collection attempts to identify the man who painted her own portrait fifteen years prior.

Shoichi Kokubun (Yujiro Ishihara) is a roughneck street musician, who has a brother that is determined to propel him into stardom. In attempt to catch the attention of a popular jazz band, his brother appeals to their manager who has the power to make him a star. In a graphic portrayal of love, betrayal and success, Shoichi brews up a storm with a 'rat-a-tat-tat' on the drums.

Yoshida’s first big-budget production and colour film is a haunting tale of unrequited love and postwar disillusion. The story of the fatal attraction between a spineless intellectual and a strong woman is conventional, but its enactment is radically new.