Kate is on a plane taking Warren, her 18 year old Torres Strait Islander foster son, to meet Flo, his birth mother, who is gravely ill in hospital in Brisbane. Flo hasn't seen Warren since she took him to the hospital on Thursday Island when he was a toddler and the white authorities took him away. But as Warren, Flo and Kate all prepare themselves for the reunion, unbeknown to them, Kate's Brisba...

Following the death of her mother Tessa (Pamela Rabe), a young woman, returns after many years to the weather-beaten family home on the shores of Sydney's Botany Bay. But the old family home begins to bring old wounds more and more to life. The story unfolds through flashbacks yet as it progresses the flashbacks merge into the present as it becomes apparent that the situation Tessa has returned to...

During the height of the Cold War, the Waterside Workers' Federation Film Unit produced eleven (11) films for several trade unions on political and industrial issues. Independent film-makers worked with them to develop critical dialogue from one generation of concerned film-makers onto another. FILM-WORK looks at sequences from 4 of these films and interviews some of their makers, raising a divers...

New Zealand-born Margot Nash scrutinises the memories and mementoes of her childhood to understand the unhappiness of her parents, and the corrosive instability of the household from which she fled as a young woman in the early 70s.

Using almost totally historical material, For Love or Money encompasses the role of Australian women in both paid and unpaid work, over a 200 year period.

Three women appear connected in this short experimental drama about internal and external states of emergency, about personal and collective shadows, about resistance and spirit.