In this heartwarming docudrama, Chilean immigrant Marilú Mallet strives to make a film about her experience of deep isolation. Her English-speaking husband, a prominent film director, criticizes her subjective approach to filmmaking; her young son, raised in Quebec, speaks only French. Interviews with Isabel Allende and other Chilean exiles reveal a deep bond in this powerful and resonant film abo...

No hay olvido, composed of three parts, each directed by a young Chilean filmmaker forced to flee his country, is about the difficult condition of exiles in a specific political and social context, in this case, Quebec. The first part, entitled J'explique certaines choses, is in Spanish with French subtitles, and shows us more precisely the lifestyle of a group of Chileans. In Slowly, which forms ...

Two women from Montreal, from very different backgrounds, become great friends. Celeste, of Portuguese origin, sacrifices the love of her family to make her fortune in America. Catherine, single, dedicates herself completely to her double career as a journalist and harpsichordist, and dreams of starting her own family, without giving up her professional aspirations.

An early film by Marilú Mallet (as Maria Luisa Mallet) created for the Education Ministry's Department of Culture under Salvador Allende's Popular Unity government. The film combines images with intertitles that present the disparity in land distribution, economic opportunity, and civil rights between the indigenous Mapuche people and Chilean Whites/Mestizos. - KG

Santiago, Chile. September 11, 1973. A military dictatorship seizes power and wields it for 17 years. Thousands of men disappear. "Donde estan? (Where are they?)," ask the women, their partners in la cueca, the traditional Chilean courtship dance. Surmounting their grief, the women speak out and struggle to restore democracy. Their lives suspended, they continue to dance la cueca sola, alone. Thi...