Simone Weil and Antonio Atarès, an anarchist spanish peasant exiled in France, then deported to Algeria, start a correspondence. Both the past in these letters and the present of their hope in today’s images are what connect them.

A man and a kid escape from men chasing them.

In a mineral black and white that breaks with the usual blue sky of Marseilles, Ne me guéris jamais summons three anonymous figures, two men and a woman, whose lives it exposes and intertwines through fragments of existences and stories.