1984: Scientists and a group of cultists discover intelligent beings in space. The initial effects of their alien biological order are terrible. The doctors are at a loss. But despite increased security measures, life still goes on. "Beings from another star? - That's ridiculous!" The show must go on. Two attractive young girls rehearse a dance for a commercial, but the recording equipment goes on...

If there is such a thing as a family memory that carries forward over the course of history, then it determines the actions of every generation. The director tells the story of the women in her family, set amongst Walchensee, hippie dreams and the commune surrounding Rainer Langhans.

Combining fictional and documentary modes, the film takes a critical stance toward Frankfurt's public sphere and urban redevelopment. Despite the serious formal and political concerns of the film, Kluge's heightened sense of the absurd safeguards a reserve of utopian optimism.

Documentary about the twin sister Jutta and Gisela Schmidt. In the late sixties the two women rebelled against middle class society as if they gave vent to a new kind of art. They became active in the underground communist party KPD and showed a heart-felt interest in the colour red, the aesthetics of the revolution. Soon, though, the twins quit their experiments in Germany. They left their husba...

My mother will die. Jutta interprets the diagnosis of an incurable cancer as a spiritual crisis. Accompanied by Rainer Langhans, to whom she has a deep friendship since over 40 years, Jutta travels to India and goes on the search for a healing experience from within.

If there is such a thing as a family memory that carries forward over the course of history, then it determines the actions of every generation. The director tells the story of the women in her family, set amongst Walchensee, hippie dreams and the commune surrounding Rainer Langhans.

Combining fictional and documentary modes, the film takes a critical stance toward Frankfurt's public sphere and urban redevelopment. Despite the serious formal and political concerns of the film, Kluge's heightened sense of the absurd safeguards a reserve of utopian optimism.