The first of the triumvirate of Mozart’s last three superlative operas – Cosi fan Tutte (1790) and Die Zauberflöte (1791) being the others – Don Giovanni (1787) tells the tale of this legendary womanizer, already a cautionary tale of considerable merit, with the added power and weight of a brilliant musical setting by one of mankind’s greatest musical geniuses and a stunningly effective libretto b...

Mariella Devia, one of the greatest bel canto singers of 20th century, chooses Venice’s La Fenice as the stage for her last Norma.

Rarely has a production of Verdi’s Otello been staged in such a prestigious location: the courtyard of the Palazzo Ducale in Venice! This special outdoor “event production” of the Teatro La Fenice takes place amidst genuine late-Gothic and Renaissance architecture highlighted by spectacular projections: “A set of singular fascination” (Il Corriere Musicale). Critics were full of praise for the mus...

This is one of the most enjoyable opera produced. The playful production by Paul Curran (Teatro Lirico di Cagliari [Sardinia]) has a wealth of clever touches, and the sets and costumes are lovely, whimsical, imaginative, and wonderfully captured. T The libretto for "Cherubin" (1905), an homage to Beaumarchais and da Ponte, takes up the story of the character Cherubino from Mozart's "Le nozze di F...

Under the baton of the excellent conductor Guillaume Tourniaire, Gluck’s most original tragedy comes to Venice’s most celebrated theater in a production by Pier Luigi Pizzi. After successive triumphs in the Viennese scene of the 1760s, over the course of the 1770s Gluck met with a new series of successes in France. Aiming to establish himself in the French musical scene as a genius of musical stor...