Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his fami...

Antonis arrives at a hotel resort by the sea. It is wintertime, the hotel is closed and Antonis drifts around alone. He has a lot of time to kill. Until television announces the disappearance of the famous TV host Antonis Paraskevas…

Robin is pregnant but doesn't want to be a mother. Katerina and Gaia are single but want a child. Kiki suffers from an incurable disease and wants her life to end with dignity. The procedures they hope to get access to – abortion, IVF and euthanasia – are only available and legal in other countries. Therefore, they resort to so-called medical tourism.

Somewhere in the middle of nowhere, on an underlit stretch of highway, Mary will come face to face with the man who broke her heart and will do everything she can to win him back.

Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his fami...

Antonis arrives at a hotel resort by the sea. It is wintertime, the hotel is closed and Antonis drifts around alone. He has a lot of time to kill. Until television announces the disappearance of the famous TV host Antonis Paraskevas…

Enormous tree trunks. The nature of leaves, the roots of desire and a house hidden deep in the forest. A journey to the other side. Something like a "punk" existential fairytale.