¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell ...

A modest employee of exemplary behavior is mistakenly accused of committing a major fraud.

A group of young women share an apartment and they put forward their studies to love, but they will end up in love.

To save the daughter of a condemned man, an ice cream man pawns his word of honor.

Medical father and son in conflict over two conceptions about the practice of medicine as a result of a bad and inopportune medical practice carried out by the son to a patient of the father.