Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film project...

Alexandria, Egypt a cosmopolitan city during WW2, and Bishr a dandy bi-racial aristocrat is struggling with his schizoid sense of identity and allegiance.

After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seam...

Freed after spending years in prison, an activist's homecoming turns into a dark affair as his disillusion clashes with his family's expectations. Demonstrating Chahine’s eclecticism, this is an elegant melodrama, exuberant musical, layered allegory, and profound portrait of personal and political disillusionment.

The story revolves around the Egyptian police officer (Mahmoud Abdel-Zaher), who is transferred to the Siwa Oasis with his foreign wife, Catherine, who is passionate about Egyptian antiquities. Together they begin a new experience where the past blends with the present.

Several models of Egyptian citizens are introduced during the British occupation, from Shukry the army officer who refuses to shoot at student demonstrations, Saad who engages in political activity against the British occupation, to Abdel Azis who loves Raja, the dancer.

The story of a pharmacist who wants to settle down and get married before reaching the age of thirty, and her family's insistence that she accepts the first groom who proposes, as well as her hilarious stories and experience with the men who propose to her.

Nawara works as a housemaid for a family closely linked to the Mubarak regime. On the eve of the 2011 revolution the family decides, for safety, to leave the country temporarily and ask her to look after the villa. Flush with cash for expenses, Nawara calls her fiancé Mustafa and the two are soon enjoying a taste of life at the top. Her journey from the alleys of her poor neighborhood to the luxur...

A story discussing the society problem during the seventies due to not having any family planning, also covering main issue of differences between poor society and rich society. This film introduces a family with 10 kids and lots of problems they get into through a funny story between an Aunt for the kids and her struggle for getting married to the man she loved because of her bother in law who go...

The opening of a new swimming pool is the talk of the town – particularly because Sunday has been announced as a day for women.

After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seam...

Freed after spending years in prison, an activist's homecoming turns into a dark affair as his disillusion clashes with his family's expectations. Demonstrating Chahine’s eclecticism, this is an elegant melodrama, exuberant musical, layered allegory, and profound portrait of personal and political disillusionment.