In Gibellina, in deep Sicily, the sumptuous staging, by Yannis Kokkos, of Oresteïa by Iannis Xenakis, after Aeschylus.

A blacksmith and a car mechanic, harboring a hostile relationship they inherited from their grandfathers, must come to terms with a new way of dealing with each other, when the blacksmith faces economic struggle and the mechanic offers to buy him out.

A disillusioned forty-something wanders through a city and his past, rejected by every ideology he once believed in. Neither love nor theory can fill the void—so he stages his own theatrical death.

A disillusioned forty-something wanders through a city and his past, rejected by every ideology he once believed in. Neither love nor theory can fill the void—so he stages his own theatrical death.