A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending ...

A woman with psychic powers has a vision of a murder that took place in a house owned by her husband.

Four petty criminals, three men and a woman, wander through the trackless terrain of the Wild West Utah and are hounded by a sadistic bandit.

A background of rising fascism in Venice in 1930s. A music-student, Matthias, mixes with the town's bourgeoisie and falls in love with a mature teacher, Carla, the mother of his friend Renato, and then with his young colleague, Elena.

In the Catholic and traditionalist Italy, two teenagers covertly discover new prohibited games.

Poet Palmambrogio Guanziroli loses his wallet mere moments after arriving in Milan. He locates the culprit, a photographer nicknamed 'Click' and takes up residence with him until he either gets his money back or his poetry published.

A good-natured but unlucky Italian is constantly going on a difficult situations, but never lose his mood.

The frustrating adventures of a humble employee who all the time has to fullfill the wishes and desires of his bosses.

Bruno Fioretti, known as "Mandrake", is an inveterate gambler who never misses a day at the horse racing track in Rome. He is doubly unlucky: he bets too much on one horse, and his wife is sleeping with his best friend because Mandrake is always at the track. Penniless and cuckolded, Mandrake decides to make one last bet.

A woman with psychic powers has a vision of a murder that took place in a house owned by her husband.

Fabio Testi is an undercover cop doubling as the bodyguard (hence, “Gorilla”) of a cantankerous middle-aged industrialist targeted for extortion.

A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending ...